Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Location: TWL-188-M
Notes:
DIGITAL RECORDING
Sechs Brandenburgische Konzerte
Six Concertos brandebourgeois
Disc 1
1 – 4 (F-Dur/en fa majeur)
5 – 7 (F-Dur/en fa majeur)
8 – 9 (G-Dur/en sol majeur)
Disc 2
1 – 3 (G-Dur/en sol majeur)
4 – 6 (D-Dur/en ré majeur)
7 – 9 (B-Dur/en si bémol majeur)
For this recording 20-bit technology was used for “high definition sound”.
Concertos Nos. 1, 3 & 6 recorded November 19, 20 & 24, 1993; Concertos Nos. 2, 4 & 5 recorded April 14-16, 1994; Glenn Gould Studio, Toronto, Canada.
Booklet Editor: David Montgomery.
Instrument Makers:
Violin/Violine/Violon :
Santo Serafin, c. 1730
Carlo Testore, 1690
Douglas C. Cox, 1986
David Rubio, 1990
Peter Boardman, 1989
Guadagnini school, c. 1790
Nicolo Amati, 1670
Anon. Mirecourt, c. 1750
Viola/Alto:
Anon. Regensburg, c. 1770 – 1780
Nicolas Bartl, c. 1760
Otto Erdesz, 1962
Joseph Hill, 1760
Violoncello/Violoncelle:
Leopold Widhalm, 18th century
Paris school, c. 1750
Matteo Goffriller, 1696
Viola da gamba/Viole de gambe:
J.C. Hoffmann, c. 1730 on generous loan from the collection of Catherine Meints & James Caldwell
Barak Norman, 1703
Violone in G/Violone en sol:
Reinhard Ossenbrunner, 1983
Contrabass/Kontrabaß/Contrebasse:
P. Meneghesso, 1892
Recorder/Blockflöte/Flûte à bec:
Frederick Morgan, 1974, after T. Stansby (BWV 1047, tracks 1-05 to 1-07)
Frederick Morgan, 1990, after T. Stansby (BWV 1049, tracks 2-01 to 2-03)
Antoon de Vijlder, 1981, after Rottenburgh
Transverse Flute/Traversflöte/Flûte traversière:
Marten Root, 1993, after anon. German, first half 18th century
Oboe/Hautbois:
H. A. Vas Dias, 1983, after T. Stansby Sr., c. 1700
Sand Dalton, 1992, after J. H. Eichentopf, c. 1730
Oliver Cottet, 1979, after T. Stansby, c. 1720
Bassoon/Fagott/Basson:
Peter de Koningh, 1980, after Wijine, c. 1720
Trumpet/Trompete/Trompette:
David Edwards, 1989, after Simon Beale, 1667
Horn/Cor:
John Webb, after Leichnamschneider, c. 1720
Lowell Greer, after Starck, c. 1740
Harpsichord/Cembalo/Clavecin:
Willard Martin, 1980
Pitch: a’ = 415 Hz.
Liner Note Translations:
© 1994 Malcolm Boyd
German Translation: © 1994 Tobias Möller
French Translation: © 1994 Marielle Ostendorf
Cover painting: Antoine Pesne (1683-1757): Christian Ludwig, Margraf von Brandenburg.
Photo: Archiv für Kunst und Geschichte, Berlin.
Total Playing Time: CD1 42′ 03″; CD2 51′ 24″.
℗ 1994 Sony Classical GmbH.
© 1994 Sony Classical GmbH/
[Sony Classical logo] and SONY CLASSICAL are trademarks of Sony Corporation.
Distribution: Sony Music.
Manufactured by Sony Music Entertainment Inc./ 550 Madison Avenue, New York, NY 10022-3211. Warning: All rights reserved, including all rights of the producer and of the owner of the recorded work. Unauthorized copying, public performance, broadcasting, hiring or rental of this recording prohibited, as provided by applicable law.
Made in USA
℗ 1994 Sony Classical GmbH
[Sony Classical logo] and “SONY CLASSICAL” are trademarks of Sony CorporationContains 28-page booklet.
. Six Brandenburg Concertos, BWV 1046-1051
. Concerto No. 1 In F Major, BWV 1046
. Concerto No. 2 In F Major, BWV 1047
. Concerto No. 3 In G Major, BWV 1048
. Concerto No. 4 In G Major, BWV 1049
. Concerto No. 5 In D Major, BWV 1050
. Concerto No. 6 In B-Flat Major, BWV 1051
Barcode 0 7464-66289-2 8
Barcode 074646628928
SPARS Code DDD
Other SBM Super Bit Mapping
Other ORAW-01962-S1
Other DIDC 072277
Other DIDC 072278
Other 66290
Other 66291
Matrix / Runout DIDC-072277 4
Matrix / Runout DIDC-072278 3
Matrix / Runout DIDC-072277 2 A02
Mastering SID Code IFPI L324
Mould SID Code IFPI 5061
Matrix / Runout DIDC-072278 1 ? ?? ?????
Mould SID Code IFPI 505A
Recorded At Glenn Gould Studio
Copyright (c) Malcolm Boyd (2)
Copyright (c) Tobias Möller
Copyright (c) Marielle Ostendorf
Phonographic Copyright (p) Sony Classical GmbH
Copyright (c) Sony Classical GmbH
Distributed By Sony Music
Manufactured By Sony Music Entertainment Inc.
Pressed By DADC
Pressed By DADC


















