Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
TWL-Box #372-R
This disc comes from a collection of thousands of CD's that were highly cared for by a meticulous collector, buy with confidence!
Notes:
Recorded using the 128x oversampling A to D Mark III and Mark IV converters with ultra analog modules and vacuum tube equipment built by George Kaye. Track 9 is recorded using new 20-bit high-resolution technology.
. PART ONE: THE MUSIC
1. Ana Caram – Africando 3:44
2. Livingston Taylor – Out Of This World 2:41
3. Leny Andrade – Wave 5:51
4. The Connecticut Early Music Festival Ensemble – Winter (The Four Seasons) 3:27
5. Rebecca Pidgeon – Grandmother 6:26
6. Orquestra Nova – Battery Park 5:09
7. LaVerne Butler – I Cover The Waterfront 6:07
8. Sara K. – Horse I Used To Ride 4:26
9. The Fred Hersch Trio – Con Alma 5:57
10. Badi Assad – Num Pagode Em Planaltina 4:41
11. Westminster Choir – Ave Verum Corpus 3:38
. PART TWO: AUDIO DEMONSTRATIONS AND TECHNICAL TESTS
. 12 – 23 A GUIDED TOUR THROUGH THE AUDIOPHILE WORLD
12. John Henry (12) – Announcement/Artificial Stereo Demonstration 1:26
. 13 – 20 Microphone Technique
13. No Artist – Mono Mike 0:34
14. No Artist – Artificial Stereo 0:34
15. No Artist – XY Cardioid Technique 0:34
16. No Artist – XY And Added Ambience 0:34
17. No Artist – XY With Increased Ambience 0:34
18. No Artist – Crossed Figure 8’s 0:34
19. No Artist – Spaced Pair Of Omnis 0:34
20. No Artist – Three Spaced Omnis 0:34
. 21 – 23 Instrument Placement
21. John Henry (12) – Announcement 0:15
22. No Artist – Piano Against The Wall Of The Studio 0:18
23. No Artist – Piano In The Middle Of The Studio 0:18
. 24 – 27 Natural Vs. Artificial Space
24. John Henry (12) – Announcement 0:24
25. No Artist – Drum Set Recorded In A Dry Studio 0:44
26. No Artist – Drum Set In A Live Studio 0:36
27. No Artist – Drum Set With Artificial Reverberation 0:45
. 28 – 29 Natural Vs. Artificial Imaging
28. No Artist – Natural Stereo Imaging 1:44
29. No Artist – Artificial Stereo Imaging 1:28
. 30 – 32 Natural Vs. Compressed Dynamics
30. John Henry (12) – Introduction To Compressors 0:58
31. No Artist – Jazz Group With Compression 0:13
32. No Artist – Jazz Group Without Compression 0:15
33. No Artist – New 20-bit High-Resolution Technology 2:04
. 34 – 45 TECHNICAL TESTS AND DEMONSTRATIONS
. 34 – 35 Dirty Vs. Clean Power
34. No Artist – Violin Recorded With “Dirty” Power 0:24
35. No Artist – Violin Recorded With “Clean” Power 0:24
. 36 – 37 Digital Vs. Analog Tape
36. No Artist – 20-bit, All Digital Recording 0:44
37. No Artist – 20-bit Recording Made From Analog Tape 0:44
38. No Artist – Equipment And Cable Burn-In Signal 1:07
39. No Artist – Volume Level Warning 0:09
. 40 – 41 16 Bit Vs. 20 Bit A/D
40. No Artist – Music At -30dB Into 16 Bit System 0:45
41. No Artist – Music At -30dB Into 20 Bit With High Resolution Dither 0:41
. 42 – 44 Fade To Noise (Low Level Resolution) Tests
42. No Artist – Fade To Noise, No Dither 0:19
43. No Artist – Fade To Noise, Flat Dither 0:30
44. No Artist – Fade To Noise, High Resolution Dither 0:30
45. No Artist – Volume Level Warning 0:06
Barcode 090368011121
Matrix / Runout MANUFACTURED BY KAO *** AP0008515-04* JD 111
Distributed By Chesky Records
Manufactured By Chesky Records
Copyright (c) Chesky Records
Edited At Digital Domain, NYC
Mastered At Digital Domain, NYC


















