Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
BOX 292-L-ANU
THESE DISCS HAIL FROM AN IMMENSE CD COLLECTION 27,000 DEEP – THEY HAVE BEEN OPENED AND ARE WITHOUT SHRINK WRAP – ALL THE DOCUMENTATION IS COMPLETE WITH NO CREASING, RIPS OR TEARS – BEAUTIFUL COPY! NOW ENJOY!
Notes:
Ⓟ 2006 Australian Broadcasting Corporation
© 2006 Australian Broadcasting Corporation
Made in Australia
“This recording is based on Rameau’s 1739 version, with some material from the 1744 version.”
Recorded live on 30 November and 3, 4 and 5 December 2005 at City Recital Hall Angel Place, Sydney.
Total time: 128:07 (CD1 54:35, CD2 73:32)
Instruments:
Violin1:
Rachael Beesley: Franz Geissenhof, Vienna, Austria, 1813
Stephen Freeman: B.J. Boussu, Brussels, Belgium, 1759
Julia Fredersdorff: Anonymous, Mittenwald, Germany, early 18th century
Matthew Bruce: Anonymous, Germany, 18th century, after Stradivarius
Elizabeth Pogson: Anonymous, after Sebastian Klotz, bow courtesy of the Australian Brandenburg Orchestra
Violin 2:
Sophie Gent: Arthur Robinson, Perth, Australia, 1998, after Amati
Myee Clohessy: Anonymous, Mittenwald, Germany, c.1790
Dominic Glynn: Simon Brown, Sydney, Australia, 2005, after Guarnerius
Hannah Sless: Lockey Hill, London, England, c.1770
Leigh Middenway: Peter Wamsley, London, England, c. 1750
Viola 1:
Valmai Coggins: Adele Beardsmore and Alan Coggins, Blackheath, Australia, 1995, after the Gibson Stradivarius, 1734
Amelia Peachment: Perry and Wilkinson, England, 1790
Viola 2
Nicole Forsyth: Tenor viola by lan Clarke, Biddeston, Australia, 1998, after Giovanni Paolo Maggini, ‘Dumas’, c. 1680
John Ma: Simon Brown, Sydney, Australia, 2001
Cello:
Daniel Yeadon: principal and continuo cello: Michael Watson, England, 1991, after Guarnerius
Jamie Hey: continuo cello: Five-string cello by Warren Nolan-Fordham, Melbourne, Australia, 1986, after Peregrino Zanetto, Brescia, Italy, c. 1581
Rosemary Quinn: Anonymous, Germany, early 19th century
Double Bass:
Kirsty McCahon: Giuseppe Abbati, Modena, Italy, c.1750
Traverso Flute/Piccolo:
Melissa Farrow: Flute by Fritjof Aurin, Düsseldorf, Germany, 1999, after J. Denner, c.1720
Piccolo by Rudolf Tutz, Innsbruck, Austria, 2005
Matthew Ridley: Flute by Simon Polak, The Netherlands, after Tassi, Paris, France, c.1750
Piccolo by Rudolf Tutz, Innsbruck, Austria, 2005
Oboe:
Kirsten Barry: Mary Kirkpatrick, Ithaca NY, USA, 2005, after Naust, France, late 17th century
Geoffrey Burgess: Mary Kirkpatrick, Ithaca NY, USA, 2005, after Naust, France, late 17th century
Bassoon:
Simon Rickard: Olivier Cottet, Prouis, France, 1999
Lisa Goldberg: Olivier Cottet, Prouis, France, 1999
(Bassoons used courtesy of the Orchestra of the Age of Enlightenment)
Harpsichord:
Neal Peres Da Costa: French double-manual harpsichord by Andrew Garlick, Somerset, England, after Jean Goujon, 18th century (used courtesy of Neal Peres Da Costa)
Percussion:
Brian Nixon: French Renaissance long drum with goatskin head, gut snares and rope tension by Ben Harms, New Marlborough, USA, 2005 (used courtesy of the Australian Brandenburg Orchestra);
Tapan (Middle-Eastern double-headed drum) with goatskin head and rope tension, anonymous, 1960s
Small calfskin bass drum, anonymous, England, 1960s
1-1. Ouverture 4:07
. Acte I
. Scène 1
. Scène 2
. Scène 3
. Scène 4
. Acte II
. Scène 1
. Scène 2
. Scène 3
. Scène 4
. Scène 5
. Scène 6
. Acte III
. Scène 1
. Scène 2
. Scène 3
. Scène 4
. Acte IV
. Scène 1
. Scène 2
. Scène 3
. Scène 4 & Scène 5
. Scène 5 (concl.)
. Acte V
. Scène 1
. Scène 2 & Scène 3
. Scène 3 (concl.)
Barcode 0 028947 658443
Barcode 0028947658443
SPARS Code DDD
Other 476 5845
Other 476 5846
Phonographic Copyright (p) Australian Broadcasting Corporation
Copyright (c) Australian Broadcasting Corporation
Distributed By Universal Music Group
Recorded At City Recital Hall Angel Place
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